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The first thing you need to do is sit down and set your goals. Diana Scharf Hunt said “Goals are dreams with deadlines.” A lot of times, people are thrown off by the idea of taking the time to set their goals.
Month: December 2018
The Number 1 Secret Of Success
The first thing you need to do is sit down and set your goals. Diana Scharf Hunt said “Goals are dreams with deadlines.” A lot of times, people are thrown off by the idea of taking the time to set their goals.
How I Lost The Secret Of Dazzling Success For 20 Years
The first thing you need to do is sit down and set your goals. Diana Scharf Hunt said “Goals are dreams with deadlines.” A lot of times, people are thrown off by the idea of taking the time to set their goals.
Control Your Own Level Of Motivation
The first thing you need to do is sit down and set your goals. Diana Scharf Hunt said “Goals are dreams with deadlines.” A lot of times, people are thrown off by the idea of taking the time to set their goals.
Advertising Relationships Vs Business Decisions
The first thing you need to do is sit down and set your goals. Diana Scharf Hunt said “Goals are dreams with deadlines.” A lot of times, people are thrown off by the idea of taking the time to set their goals.
Architecture is not based on concrete and steel
The first thing you need to do is sit down and set your goals. Diana Scharf Hunt said “Goals are dreams with deadlines.” A lot of times, people are thrown off by the idea of taking the time to set their goals.
Perforated Steel Facade – Lokmanya Bank
While this project featured only external applications, perforated metal screens can also be specified as interior design elements to create see-through partitions or sound-absorbing surfaces. From lightweight decorative elements to load-bearing structural components, perforated metal offers unique opportunities to combine strength, functionality and beauty.
Additionally, Diamond Metal Screens’ perforated facades enable interior spaces to benefit from natural light, filtered in such a way that it reduces the glare of direct sunlight and resulting in an environment that is conducive to relaxation and working. Whether used internally or externally, perforations create a dialogue between space, obscuring or inviting views as required and keeping temperature and brightness at a pleasant and practical level. Shade and privacy will continue to be the key practical purposes of perforations, but the potential applications are greater than ever.
Materials
The perforations are possible in the following materials: Stainless Steel, Pre-Galvanised Steel, Copper, Brass, Zinc, Aluminium and CRCA / HR Steel.
Perforations
The shapes that can be perforated are Round, Square, Conical, Rectangular, Herringbone, Triangular, Hexagonal, Embossed and Diamond.
More about this product
Location: Pune, Maharashtra, India
Material used: Galvanized steel 1mm thick
Coating: Powder coating
Area: 300 sq.m
Year: 2012
Architect: Mr.Praveen Bavdekar, Thirspace Architecture Studio
An unforgettable penthouse in London
The idea of a penthouse apartment was born in the 1920s, called “The Roaring Twenties”, when economic growth brought a construction boom to New York City, the heart of the American economy. The high demand for living in urban areas and the wealth of Americans led to luxury apartments on the top floor or floors of buildings.
One of the earliest penthouse apartments in the city was publisher Conde Nast’s duplex penthouse at 1040 Park Avenue. The original 1923 plan for the building provided three units on each floor with additional maids’ rooms on the roof, but in 1924, the building’s upper spaces were constructed to provide the grand duplex for Nast. Connected by a staircase to the rooftop entertaining salons, the corner unit at the top floor was redesigned to be private family quarters. The whole unit was decorated in the French manner by Elsie de Wolfe. Completed in 1925, Conde Nast’s duplex penthouse was used for many lavish parties, which were made famous as much by guest lists as by the entertainmen
Deconstruction Over Demolition: Manasc Isaac Architects
Everyday activism is a topic that encompasses a variety of sustainable processes and behaviours like turning off lights in a room that is not in use or turning off water taps while brushing teeth, but also challenging large-scale projects. This sentiment has been embraced by Manasc Isaac, an Edmonton, Alberta based architectural firm with a focus on sustainable design.
The company has won a plethora of honours for both its design style and sustainable practices. In addition to being recognized for designing Alberta’s first C-2000 green building, Manasc Isaac also designed Alberta’s first LEED (Leadership in Energy and Environmental Design) certified building and Edmonton’s first Silver LEED (“Our Work,” Company Profile), certified, having achieved between 50 and 59 points out of a possible 110 across seven different categories, with energy savings of 35-50% over non-certified buildings (LEED Green Building Rating System 2009 Explained, Enermodal). As Martina Keitsch (2012) notes, “Besides ecological advantages, architecture and design can work as a catalyst for the advancement of social sustainability and social inclusion.” (p. 142).
In its efforts to achieve integrated engineering and deliver architecture that meets the needs of the present without compromising the ability of future generations to meet their own needs, the company focuses on five key areas—sustainable site development, water efficiency, energy efficiency, material selection, and indoor environmental quality. This environmentally friendly mandate drew the attention of Dana Dusterhoft and Jonathon Schell, students in MacEwan University’s Documentary Photography class, part of the Design Studies program.
MIT's Stata Center: The Static Soul of a Dynamic Body
Although President Thomas Jefferson’s neo-classical design for the University of Virginia (completed in 1826) is often credited as the hallmark of American campus design, much of what we admire architecturally on the campuses of American universities dates back to only the turn of the 20th century. Between the 1890s and World War I, government initiatives and favorable economic conditions allowed for a flourishing of creative and innovative developments.
Building 10 at MIT designed by William BosworthPrinceton’s 19th century Gothic Revival and Stanford’s California Mission style (with local sandstone and red-tile roofs) were among the many standouts of this era.1 But as architectural historian Mark Jarzombek asserts, the design of the Massachusetts Institute of Technology (MIT) at that time was especially distinctive. Unlike other, more traditionally self-contained campuses, MIT became an integral part of the city it was located in.
It was “not only resolutely urban, but also an important element in Boston’s emerging neoclassical silhouette.”2 When MIT’s new Cambridge campus,3 or what was then known as “the New Tech,” designed by William Welles Bosworth, was opened in June 13, 1916, Bostonians and Cantabrigians admired its unique synthesis of classical motifs. The prevalence of the Greek Ionic colonnades and a central dome that resembled the grand Pantheon in Rome evoked Jefferson’s ideas, the European Enlightenment, and the ideals of classical architecture.